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From Saturday - November 19 Until Time of Sale 
Weekdays g to 6 7 Sunday 2 to 5 


Peo URTCLED PUBLIC SALE 


Tuesday &° Wednesday Evenings : November 22 & 23 
Beginning at $:30 O’clock 


teeth eighon cs ALPS AT DAE 


AMERICAN ART GALLERIES 
Madison Avenue: 56th to 57th Street 


New York City 


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Sis Sec OND Ue LED BY 
Mr. O. Bernet & Mr. H. H. Parke 


American Art Association « Inc 
MANAGERS 


1927 


“4 


ITALIAN » DUTCH AND FLEMISH 
XV-X VII CENTURY PAINTINGS 


Portraits and Genre Subjects 


BY ENGLISH, FRENCH AND 
GERMAN MASTERS 


PALER T= LV. 
of the Achillito Chiesa 


Collection 


Under Management of the 
American Art Association 


TENE ClOLRSPIOSR SAS CELL 
New York 
1927 


The AMERICAN ART ASSOCIATION: Inc 


Designs its Catalogues ; 
and Directs -All Details of Illustration 
Text and Typography — 


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CONDITIONS OF SALE 


I. REJECTION OF BIDS: Any bid which is not commensurate with 
the value of the article offered, or which is merely a nominal or fractional 
advance, may ke rejected by the auctioneer if in his judgment such bid would 
be likely to affect the sale injuriously. 


Il. THE BUYER: The highest bidder shall be the buyer, and if any 
dispute arises between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 


III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
buyer of each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part 
of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 


IV. RISK AFTER PURCHASE: Title passes upon the fall of the 
auctioneers hammer, and thereafter the property is at the purchaser’s risk, 
and neither the consignor nor the Association is responsible for the loss of, 
or any damage to any article by theft, fire, breakage, however occasioned, or 
any other cause whatsoever. 


V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
made only upon payment of the total amount due for all purchases at the sale. 


VI. JRECEIPTED BILLS: Goods will only be delivered on presentation 
of a receipted bill. A receipted bill presented by any person will be recog- 
nized and honored as an order by the buyer, directing the delivery to the 
bearer of the goods described thereon. If a receipted bill is lost before 
delivery of the property has been taken, the buyer should immediately notify 
the Association of such loss. 


VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
CALLING FOR GOODS: Articles not paid for in full and not called for by 
the purchaser or agent by noon of the day following that of the sale may 
be turned over by the Association to some carter to be carried to and stored 
in some warehouse until the time of the delivery therefrom to the pur- 
chaser, and the cost of such cartage and storage and any other charges will 
be charged against the purchaser and the risk of loss or damage occasioned 
by such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by 
noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation in these conditions of sale notwith- 
standing, in respect to any or all lots included in the purchase bill, at its or 
his option, either to cancel the sale thereof or to re-sell the same at public 
or private sale without further notice for the account of the buyer and to 
hold the buyer responsible for any deficiency and all losses and expenses sus- 
tained in so doing. 


VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
ness in which the Association is in no wise engaged, but the Association will, 


however, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged 
for such service. 

IX. GUARANTY: The Association exercises great care to catalogue 
every lot correctly and endeavors therein and also at the actual time of sale 
to point out any error, defect or imperfection, but guaranty is not made either 
by t the owner or the Association of the correctness of the description, genu- 
ineness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold “as is’ and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy expert 
to the effect that any lot has been incorrectly catalogued and in its judg- 
ment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might 
result were his opinion without foundation. 


X. RECORDS: The records of the auctioneer and the Association are 
in all cases to be considered final and the highest bid shall in all cases be 
accepted by both buyer and seller as the value against which all claims for 
losses or damage shall lie. 


XI. BUYING ON ORDER: Buying or bidding by the Association for 
responsible parties on orders transmitted to it by mail, telegraph, or tele- 
phone, if conditions permit, will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing condi- 
tions of sale, except that, in the event of a purchase of a lot of one or more 
books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will 
be refunded, if the lot differs from its catalogue description. 

Orders for execution by the Association should be given with ate clear- 
ness as to leave no room for misunderstanding. Not only should the lot num- 
ber be given, but also the title, and bids should be stated to be so much for 
the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a déposit must be sent or 
reference submitted. Shipping directions should also be given. 


PRICED CATALOGUES: Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at charges commensurate with 
the duties involved in copying the necessary information from the records of 
the Association. 

These conditions of sale cannot be altered except by the auctioneer or 
by an ofhcer of the Association. 


AMERICAN ART ASSOCIATION, Inc. 


OTTO BERNET MANAGERS 


HIRAM H. PARKE 
AUCTIONEERS 


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Pie CHIkSA COLLECTION 


N presenting Part IV of the Achillito Chiesa Collection for 
dispersal at unrestricted public sale, the American Art Asso- 
ciation, Inc., refrains from reiterating the circumstances 
which have led to the distribution of this superb collection in 
America. However, they would emphasize that the preceding 

sales have in every way justified the eloquent praise bestowed upon 
the founders of the Collection by famous experts and amateur and 
professional critics, both here and in Europe, for their instinct, judg- 
ment and taste, in the acquisition of a collection possessed of so many 
remarkable objects of unsurpassed beauty and historic value. 

The two sessions of Part IV now offered comprise a representa- 
tive gathering of the works of master painters of the notable Euro- 
pean schools, ranging from the primitive era to the eighteenth cen- 


tury. Those of the Italian primitive and renaissance schools have 
been authenticated by the late Giacomo de Nicola, then Director of 


the Bargello Museum, Florence; the Flemish and Dutch by Comm. 
Hofstede de Groot, the recognized Dutch expert, and by G. J. 
Hoogewerff, Director of the National Holland School of Fine Arts 
at Rome. 

Of the one hundred and forty-five pictures exhibited, special 
mention must be made of Pietro Lorenzetti’s tavoletta, a remarkable 
small work in excellent state of preservation. ‘This master from 
Siena, the rival city of Florence, is among the first Italian painters 
of genius to have studied the Byzantine paintings and enamels and 
to translate into true pictures with expressive grouping of figures the 
chronicles of the Middle Ages; although he did not equal the great 
Florentines in power, he surpassed them in poetic tenderness and 
emotion. A little Sienese picture of this quality is extremely rare and 
valuable. The Miracle of St. Domenico, by Jacopo Bellini, is cata- 
logued by the Italian Government as of great artistic importance. It 
is an interesting and beautiful production of the Venetian school 
founded by this master and unfettered from the tensity of the Gothic 
into the serene calm of the Renaissance by his sons, Gentile and 
Giovanni. 

The Annunciation, ascribed to a close follower of Raphael, is 
typical of the craftsmanship of the greatest of all illustrators. The 


Virgin Mother, half pagan, half Christian, neither too ethereal nor 
too sensual, is superbly portrayed kneeling before a prie-Dieu within 
a grandiose renaissance interior, receiving the announcement and 
salutations from the Angel Gabriel. The architectonics and space 
composition suggest the very quintessence of Italian decorative 
genius. The Portrait of a Warrior ascribed by experts to Titian is 
not in a very good state of preservation. The name of the original 1s 
unfortunately no longer legible and there is little clue as to his iden- 
tity, but it is a fine subjective work much exalted by the personal 
dignity of the master. 

A Venetian Doge by Tintoretto, the dominating spirit of the sec- 
ond epoch of the renaissance in Venice, is an equally characteristic 
work; the sitter is portrayed in strong contrasts of light and shade, 
from a palette in which silvery grays and purples predominate, and 
though the painting is slightly blackened by age, as are most of ‘Tin- 
toretto’s works, we may still glimpse his great gift as a colorist. 

The very beautiful St. Sebastian by Lorenzo Costa is a finely 
modeled representation of the human form and typifies the emancipa- 
tion from asceticism to classicism due to the revival of the study of 
Greek sculpture, with its inspiration to present pictorially an ideal 
of physical perfection. 

The Netherlands is well represented by an important triptych by 
Adrien Isenbrandt, presumed to have been painted before he left the 
bottega of Gerard David, who may have collaborated in the work. 
This is especially noticeable in the rendering of the different sur- 
faces of the fabrics of the habits and the flesh of the two saints. 

Another triptych by Jean Gossaert (Mabuse) is a fascinating 
composition exhibiting Italian idealism and Flemish realism ad- 
mirably assimilated. The Portrait of a Nobleman by the Brescian 
master Moroni is almost Titianesque in the presentation of his sub- 
ject’s milieu, rendered with a subjectiveness, the nucleus of which 
emanates through the expressive eyes of the sitter. 

Space forbids a more protracted review of the many equally 
important works forming this unusual collection. There is a fine 
example from the brush of Jordaens portrayed under the distinctive 
influence of Rembrandt, a polyptych and two diptychs by unidenti- 
fied masters of the Venetian Trecento and Quattrocento, an important 
triptych by Albertino and Martino Piazza; others from the Floren- 


e school of Parma, added to which are Dutch land- 
h, French, German and English portraits and genre 


eho d my 


Hlekesal is 5 5.) O:N 
Seveecay, November 22, 1927 at 8:30 Oteisck 
Catalogue Numbers I to 73 Inclusive 


FRANCO-FLEMISH SCHOOL 


XV CENTURY 


1. THE ANNUNCIATION 


Three-quarter length figure of the Blessed Virgin, kneeling in the 
attitude of prayer at a prie-Dieu before a draped crimson hanging. 
At her left stands the Angel of the Annunciation, with cinctured head 
and wearing a saffron-colored cope over an ivory-tinted tunic. 


Panel: Height, 434 inches; width, 334 inches 


FLEMISH SCHOOL 


mov GEN TURY 


Ki. W, ps ay 
2, MADONNA AND CHILD WITH ST. DOMENICO St-dinem 4H 


Balustraded interior with vista of mediaeval landscape, rendered in (+) 
the Patineresque manner; at the left a pleasing Madonna with the 

nude Infant naively playing with the coral charm. At the right, 

St. Domenico in the attitude of devotion, clothed in the habit of his 

order, with a crozier. 


Panel: Height, 10% inches; length, 134 inches 


JOACHIM D. PATINIR 


FLEMISH: 1490—1I1524 


ys AR EERUALIN CLS Nie eels 


A superb small landscape, undulated and wooded, portrayed with a 
combination of atmospheric and linear perspective, and having | 
cupped in the valley a monastic building. In the foreground the 
devout Franciscan is kneeling in adoration before an angel, appear- 
ing high in the heavens. At the left is a novitiate. 


Height, 101% inches; width, 8 inches 


[See illustration | 


SCHOOL OF GERARD Dow 


FLEMISH: XVII CENTURY 


4. ANANTERIOR VAT AGELG Ue 


A shaded interior with a figure of a lady standing in profile to the 
right wearing a white décolleté blouse with puffed sleeves, and a full 
black skirt. At the left, over the chair, is a fur-trimmed crimson 
cloak. 


Panel: Height, 12% inches; width, 934 inches 


No. 3./S‘\E.. FRANCIS IN PRAYER 
By JOACHIM D. PATINIR : 


A AND*sCHig® 
EMISH SCHOOL 


MADONN 


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FLEMISH SCHOOL 
XVI CENTURY 


5. MADONNA AND CHILD 


Half-length figure of the richly robed Virgin Mother seated beneath 
a draped and tasseled canopy with the Divine Infant at her breast. 
Through the aperture at the upper left is a prospect of wooded land- 
scape, a dwelling and figures. In the foreground, arranged upon a 
table, are several fruits. 


Height, 13% inches; width, 9% inches 


[See illustration | 


oe c Vi dX he teen « LTR (es A ENO 


PORNELIS GHRRITSZ DECKER 
DUTCH: 1643—1678 


Oe LHhE FINN 


Mounted and dismounted figures grouped before the door of an inn, 
by which is a towering oak tree in leafage. At the left a vista of 
blue sea, and a returning fisherman. Under a sky illumined by a 
golden sunset, flecked with slate-gray clouds. 


Signed on the wall at right with initials, C. D. 


Panel: Height, 15% inches; width, 1334 inches 


DUTGH: SGHOOGr 
XVII CENTURY 


7, LANDSCAPE WITH FIGURES AND CAIIGgE 


In the foreground are grouped cattle with their shepherds; at the 
right a gabled farmhouse and buildings; at the left, receding land- 
scape. Under a lavender-tinted sky. 


Panel: Height, 13% inches; length, 19% inches 


PIETER VAN DER LEBUMM 
DUTCH: [1644—1704 | 


5. LANDSCAPE WITH FIGURE AND CATTLE 


Undulating landscape scene with standing and recumbent cattle and 
the figure of a bare-legged man seated upon the trunk of a tree by 
the edge of a pond. Ivy-clad ruin in the background silhouetted 
before a cloudy sky. 


Signature at lower left, indistinct. 
Height, 11% inches; length, 16 inches 


A Rel Ve Ne DE RON ER 


DUTCH: 1603—1677 


9. MOONLIT SCENE 


Centring the composition is a water course flanked by wooded 
country with vague forms of buildings; at the right, outlined before 
a slate-gray sky is a windmill, to the right of which is a brilliant moon 
casting its light on a fishing vessel in midstream. In the foreground 
are three cows. 


Height, 24% inches; length, 29% inches 


PIETER VAN BLOEMEN 


DUTCH: 1657—1719 


tio. THE ENCAMPMENT 


In the foreground are grouped a piebald and a brown horse, one 
feeding from a trough, and various peasant figures; at the left two 
goatsandadog. Before a background suggesting a viaduct outlined 
before a blue sky. 

Height, 1234 inches; length, 160) inches 


ADAM FRANS VAN DER MEULEN 


FLEMISH: 1634—1690 


Il. BATTLE SCENE 


An undulated and wooded landscape animated with mounted figures 
in action. At the left upon the hill is a spired chateau. Under a 
cloudy blue sky. 


Height, 23 inches; length, 29 inches 


MAESTRO DI MALINES 


NETHERLANDS: XV——X VI GENT aRs 


Pel TiN ALY cele 


A vaulted interior, with the Virgin Mother hooded and robed in 
pale blue and St. Joseph in rich crimson robe and blue cowl, kneel- 
ing in adoration over the nude Infant enveloped in a vesica piscis. 
Within the alcove are a recumbent ass and an ox. Through the 
arcaded apertures are seen a shepherd and a saintly nun, and a vista 
of mountainous landscape. | 
Panel: Height, 19% inches; width, 13% inches 


GERMAN SCHOOL 
XVI CENTURY 


13. RELIGIOUS ALLEGORY 


Exhibiting a group of four figures centring the nude penitent thief, 
the other figures richly robed. At the right, the crucified form of 
Our Lord. Background of peaked cliffs and at the left an olive tree. 


Rendered in superb colors. 
Panel: Height, 18% inches; width, 14 inches 


misteN Gt yoGL OO 
XVIII CENTURY 


meet dil OF A LADY 


Bust-length figure, the head slightly inclined to the right, with highly 
coiffed hair, a strand of which falls over her left shoulder, bound with 
a jeweled bandeau; wearing décolleté pearl-enriched bodice with 
sapphire-blue mantle draping the left shoulder. Neutral back- 


ground, 
Pastel: Height, 23% inches; width, 18% inches 


Note: On the back is a pencil drawing of a head, inscribed: Constanzo de Fornari, 


né de Raimondi, dated 1788. 


From the Simonetti Collection 


SCHOOL OF SUSTERMANN 
FRENCH: XVI-XVII GENTURS 


15. PORTRAIT OF A NOBLEMAN 


A bust-length bewigged and armored figure with a faintly delin- 
eated mustache, looking to the observer and wearing a deep lace 
collarette and the insignia of a knightly order [the cross of Malta] 
on a crimson sash. Dark background. 


Height, 27 inches; width, 21 inches 


FRENGH SCHOO 
XVIII CENTURY 


LOZPORTRAIT Of Sasi 


Half-length figure looking to the observer, wearing a beribboned 
bonnet, lace-trimmed shaded pink, high-waisted bodice, and a dark 
wrap negligently draped about her arms. Neutral background. 


Height, 30 inches; width, 25 inches 


Note: A very important although unidentified work. 


Fehon Gal as GOO ls 
XVII CENTURY 


eee ORT RATT OF A LADY 


Three-quarter length standing figure looking to the observer, wear- 
ing large earrings and a pearl necklet, and a shaded rose-crimson 
costume richly embroidered with jewels. In her right hand she 
holds a rose, her left hand rests lightly upon a table. Dark back- 
ground. 

Height, 40 inches; width, 33 inches 


[Companion to the following] 


tee ING] Ele CEE OO: 
XVII CENTURY 


feet ORTRAIT OF A NOBLEMAN 


Three-quarter length bewigged figure, wearing a brownish doublet 
and half armor, and richly embroidered jacket slashed at the sleeves, 
holding in his right hand a baton. Dark background with vista of 


Penascape at the left. 
Height, 40 inches; width, 33 inches 


[Companion to the preceding | 


ERENG-H: -S.GELOG 
XVIII CENTURY 


19. PORTRAIT-OF AGEN TEE 


Three-quarter length figure facing slightly to the right, with pow- 
dered hair, wearing a lace jabot, gray jacket, and fur-trimmed sur- 
coat of rich blue. In his left hand he is holding a manuscript and 
is pointing with his right forefinger. Dark background. 


Height, 40 inches; width, 3134 inches 


GHORGE ROMNEY 


ENGLISH: 1734—1802 


205 PORT RANIZ OR HitiA pe 


Bust-length profile portrait with cinctured head, and wearing a 
semi-décolleté blouse. Dark background. 


Height, 17% inches; width, 1334 inches 


[See illustration ] 


No. 20. PORTRAIT OF A LADY 
By GEORGE ROMNEY 


Jo NIGUB IIS ak RK @de KOLO) ED 
XVIII CENTURY 


27. PORTRAIT OF A GENTLEMAN 


Half-length figure, facing the observer, of ruddy-complexioned man 
with high forehead and side-whiskers, wearing a white linen jabot, 
saffron-colored waistcoat and black jacket. Dark background. 


Height, 30 inches; width, 25 inches 


roawloH. sCHOOL 
SV LEI CENTURY 


22. PORTRAIT OF A CHILD 


Three-quarter length figure of a golden-haired girl with large blue 
eyes, wearing a golden-yellow hat and a short-sleeved brown dress 
with deep red sash, leaning amidst leafage and holding in her right 
hand a pitcher. Deep greenish-blue sky background with vista of 
landscape at the right. 

Height, 30 inches; width, 25 inches 


SIR THOMAS~LAWRENCEB, ‘P:R. A. 
BRITISH: 1769—1830 


23. MARCHESA PAOLA CASTIGLIONI LITTA 


Half-length figure, with highly coiffed hair entwined with pearls, 
is presented seated facing slightly to the left, with her left arm pil- 
lowed upon a blue velvet cushion, the hands gently clasped; elegantly 
robed in an ivory satin gown and vieux rose mantle trimmed with 
ermine,” | 

Height, 30 inches; width, 25% inches 


Note: This work was executed in Lombardy while the artist was a guest of the 
Marchese Castiglioni Litta. 


[See illustration | 


No. 23. MARCHESA PAOLA CASTIGLIONI LITTA 
By SIR THOMAS EAW-RENCE, PRA, 


= 


No. 24. ADOLPHUS MUNSTER 


By FRANZ KESSLER 


FRANZ KESSLER 


GERMAN: XVII CENTURY 


24. ADOLPHUS MUNSTER 


Three-quarter length standing figure of a portly gentleman affect- 
edly posed, facing the observer and wearing a meticulously delin- 
eated collaret and dark burgher costume lustrously painted. At the 
left, placed upon a table, is a hat and a white card inscribed, ADOL- 
PHUS MUNSTER, etc. Dark background. 


Panel: Height, 40 inches; width, 31 inches 


Inscribed at upper right: ANNO 1645 AETATIS 4; and signed, F. K. 
[Companion to the following] 


[ See illustration ] 


} i 0 a M * f' 
\ ?2ig\ een WV | 


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FRANZ KESSLER 


GERMAN: XVII CENTURY 


25, MARIA MUNSTER 


Three-quarter-length figure standing by a walnut and leather arm- 
chair, with hair tightly drawn back from the forehead, wearing a 
large white ruff, lace cuffs, and black silk dress with richly embroi- 


dered stomacher. 
Panel: Height, 40 inches; width, 31 inches 


Inscribed at upper left, 1645 AETATIS 25; and signed, F. K. 


[Companion to the preceding] ~~ 


[See illustration | 


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. MARIA MUNSTER 
By FRANZ KESSLER 


No. 25 


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WANDERFORD [?] 
ANTHONY VAN DYCK 


. 26. BARON 


No 


By SIR 


SIR ANTHONY VAN DYCK 


Se Can 
“FLEMISH :~1 599—1641 


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26. BARON WANDERFORD [?] 


Three-quarter length figure of the bearded nobleman seated upon a 
crimson velvet armchair, facing the observer and wearing a skull 
cap, small white ruff, silk jacket ruffled at the wrists, and a volumin- 
ous fur-trimmed surcoat, the edge of which he holds with the refined, 
tapered fingers of his left hand. Indefinite background suggesting 
an interior, having at the lightened top right corner an undecipher- 
able Flemish inscription. 

Height, 50 inches; width, 40 inches 


[See illustration | 


ROBERT TOURNIERES 
FRENCH: 1668—1752 


VA 


27. LE REGENT ET MME. DE PARABERE 


Depicting the Duke and Mme. de Parabere seated within a draped 
alcove at a table covered with a snowy white cloth; they are deco- 
ratively garbed in the silken costumes of the period and hold slender- 
stemmed wine glasss. Resting upon the table is a bowl of peaches. 
The figures are finely modeled and the costumes portrayed in modu- 
lated colors rendered with a fine perception of values. At the right 
is a prospect of an architectural exterior and a greenish-blue sky. 


Height, 38% inches; length, 50% inches 


[See illustration | 


Lt oe eS 


SIR ANTHONY VAN DYCK 
[ ATTRIBUTED TO] 


DUTCH: 1599—1641 


28. LADY CHARLEMONT 


Half-length figure, facing to the right but looking to the spectator, 
wearing characteristically coiffed hair, a collet of pearls and pearl 
earrings, décolleté shaded rose-crimson dress, and holding in her 
right hand a bouquet of flowers. Dark background. 


Height, 42% inches; width, 3414 inches 


SHUHINYNOL LYALON *g 
AUdGVaVd Ad ‘AWW LY LNADAY AT “42 “ON 


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A VILLAGE FESTIVAL 
By HENDRIK MEYER 


29 


No. 


HENDRIK MEYER 
- DUTCH: .1737—1793 


290. 4A VILLAGE FESTIVAL 


A decorative composition, portraying slightly to the right a fine 
Gothic structure with festive figures; centring the composition a 
peasant woman with her cradled child upon a donkey, and passing 
under the portico a herdsman with cattle; slightly to the left, a cov- 
ered cart and conversing figures, and a vista of undulating wooded 
landscape before a cloudy blue sky... Portrayed in the manner of 
Van Ostade. Superb color harmony. | 


Height, 4134. inches; length, 54 inches 


Signed at lower left, Hk MEYER, and dated.1791 


[See illustration | 


JEAN GOSSAERT MABUSE 


FLEMISH: 1472—1533 


HOA IMO MINA CIs! 


The centre panel exhibiting the Holy Mother crowned as a symbol 
of sovereignty, wearing a green tunic and voluminous rose-crimson 
mantle, and holding in her arms the standing nude figure of the 
Divine Infant; enthroned within an elaborate renaissance structure. 
Seated at either side of the throne are fully draped angels, one hold- 
ing a harp, the other a crown. In the left panel the martyred St. 
Catherine gorgeously robed as a queenly figure, wearing a crimson 
headdress and-an aubergine mantle, with the broken wheel at her 
feet. Inthe right panel St. Agnes as the Bride of ‘Ihe Lamb, robed 
in a golden-brown tunic and a rich crimson mantle, holding the 
palm of martyrdom in her right hand, and the ring in her left hand. 
At her feet The Lamb. 


Height, 411% inches; length extended, 71 inches 


[See illustration | 


ING a0. Ube eet 
By JEAN GOSSAERT MABUSE 


No. 31. J. DE BRISSAC, MARECHAL DE FRANCE 
By CORNEILLE DE LYON 


CORNEILLE DE LYON. ‘14%: 


FRENCH: —d. 1574 


Bier BRISSAC, MARECHAL DE FRANCE 


Half-length bearded figure facing slightly to the left, wearing a | 


feathered cap and black doublet with striped silk sleeves. Before 
a green background. 


Panel: Height, 7 inches; width, 6 inches 


[See illustration | 


JAKOB JORDAENS 
ANTWERP :-1593—1678 


32. PORTRAIT OF A MAN 


Bust-length figure, facing slightly to the right, of an older man 
with grayish hair, wearing a wine-crimson oe ‘and = fur- nealueTaS 
coat. Green background. 

Panel: Height, 934 igitess width, 7% inches 


Note: A strong psychological study, evidently portrayed under the influence of Rembrandt. 


[See illustration | 


No. 32. PORTRAIT OF A MAN 
By JAKQB,JORDAENS 


No. 33. MADONNA AND CHILD 
School of DIRK BOUTS 


SCHOOL OF DIRK BOUTS #2, Cc 


NETHERLANDS: XV CENTURY 


33. MADONNA AND CHILD 


Standing three-quarter length figure of the Virgin Mother, with 
long gold hair meticulously drawn in rippling waves; wearing a 
blue tunic and crimson mantle, and holding in her arms the Infant 
Christ, Who is naively portrayed, toying with the coral charm. 
Background of primitive landscape, patterned with formal trees. 


Panel: Height, 13% inches; width, 10% inches 


[See illustration |] 


Bee rawdin > Ovl- 2, Wo . eo b 


_— 


-FLEMISH SCHOOL - 
XV- XVI Century 
34. TRIPTYOH = ae . ie ig 
central panel a renaissance arohitcenmante Se 


in the foreground of the ee Gets of ne 
St. johy the Be and Sie Luke. 


” 


ps illustration} 


SR LUURA DD ACIS! 


FLEMISH SCHOOL 


34 


O 


No. 35. KING HENRY VIII 
School of JEAN GOSSAERT MABUSE 


SCHOOL OF JEAN GOSSAERT MABUSE 


FLEMISH: XVI CENTURY 


35. KING HENRY VIil 


Bust-length figure of the bearded monarch, facing slightly to the 
left, wearing a black hat and richly gold-embroidered Tudor cos- 
tume. Before a greenish background. A fine portrait, executed 
with extraordinary minuteness of finish in the modeling of the flesh 
and in the painting of the hair and costume. Inscribed: HENRICUS 
ANGLORUM REX, 1527. 


Panel: Height, 181% inches; width, 13% inches 


[See illustration | 


ADRIAEN VAN DE VELDE 
DUTCH: 1635—1672 © 


36. PASTORAL 


A wooded landscape with recumbent cattle and a grazing white 
horse in the foreground. At the left by a marble structure is a 
standing shepherd with a female figure seated, feeding her child. 
A sapphire-blue sky banked with clouds. 


Signed upon the marble structure, but now obliterated. 


Panel: Height, 16 inches; width, 20 inches 


[See illustration | 


No. 36. PASTORAL 
By ADRIAEN VAN DE VELDE 


No. 37. INTERIOR WITH FIGURES 
Attributed to PIETER DE HOOGH 


PIETER DE ,WOOGH 
[ ATTRIBUTED TO] 
DUTCH: 1632—1681 [?] 


e7-INTERIOR WITH FIGURES 


A shaded interior with large open fireplace with two bourgeois 
figures seated at a table, the maiden holding a glass of wine and 
looking to the laughing man whose arm rests upon the table, be- 
neath which is a seated cat. At the lower right is a basket of silken 
garments and above a prospect of a stairway leading to another 
room. 


Signed at lower right, P. DE HOOGH 


Height, 21 inches; width, 17% inches 


[See illustration | 


FLEMISH SCHOOL 


XV CENTURY 


Bor RL RASC EL 

Exhibiting in the central panel the Deposition: In a mediaeval land- 
scape are finely grouped figures of the three Marys and the emaci- 
ated form of Our Lord supported by Joseph of Arimathea. At the left 
of the composition the Hill of Golgotha with the crucified forms of 
three thieves. In the left panel Our Lord in the Garden of Geth- 


semane. In the right panel the Last Judgment. 


Height, 33% inches; width extended, 48 inches 


[See illustration ] 


Nominee LLY CH 
FLEMISH SCHOOL 


No. 39. PORTRAIT OF A LADY 
Bypol Reel 7 kee ie 


SIR| PETER )LELY 


FLEMISH: 161 foe 680 


39. PORTRAIT OF A LADY Liat Aast 


Three-quarter length standing figure facing the observer, with char- 
acteristically coiffed hair; wearing pearl earrings, a collet of pearls, 
and a superbly draped vieux rose satin gown trimmed with pearls. 
She holds in her left hand a bowl of roses. Sombre background, 
having at the left a vista of sky. 

Height, 43 inches; width, 34 inches 


[See illustration | 


JEAN RAOUX 
FRENCH: 1677—1734 


40. THE LECTURE 


Two maidens seated upon a chair holding a book, the one in the 
foreground wearing a shaded blue dress with rich crimson dra- 
peries over her knees, the other wearing a gold costume and a deep 
ted headdress. Natural background. 


Height, 16% inches; length, 22% inches 


JEAN BAPTISTE MONNOYER 
FRENCH: 1665—1699 


41. STILL LIFE 


Colorful composition of naturalistic roses, tulips, jasmine, peonies 
and dahlias, massed in a repoussé silver jardiniere pa upon a 
table, before a dark seen: 

Height, 26 inches; length, 36 inches 


JEAN BAPTISTE MONNOYER 
FRENCH: 1665—1699 


42. STILE Ee 
Similar to the preceding, with slight variation in composition. 


Height, 26 inches, length, 36 inches 


SPANISH SCHOG?E 
XVII CENTURY 


43. A FRANCISCAN FRIAR 


Bust-length; finely modeled head facing the observer, with close- 
cropped hair; wearing a rusty-brown habit with cowl. Before a 
neutral background. At the upper right is an escutcheon. ‘The 
subtle modeling, rendered by a light and shade analogous to igus 
quez, marks this an important work. 


Height, 19% inches; width, 15% inches 


[See illustration | 


No. 43. A FRANCISCAN FRIAR 
SPANISH SCHOOL 


FAVITOIW INNFAOIO “4 
AdVOSUNV'T 9? ON 


| 
| 
| 
f 


SPANISH SCHOOL 
XVIII CENTURY 


wee PORTRAIT OF A LADY 


Half-length wistful figure with flowing reddish-brown hair, the head 
slightly tilted upward, wearing a décolleté blouse. Dark back- 
ground. 

Height, 27 inches; width, 201% inches 


SCHOOL OF DEL MAZO 


SPANISH: XVII CENTURY 


45. PORTRAIT OF A COURTIER 


Bust-length figure of a bearded gentleman with bushy black hair 
and upcurled mustache, looking toward the spectator, wearing a 
brownish-green surcoat with deep lace collar. Neutral back- 
ground. 

Height, 23 inches; width, 18% inches 


GIOVANNI MIGLIARA 
ITALIAN: 1785—1837 


46. LANDSCAPE 


Centring the composition, upon a mound, is a stone mill, with a 
curving richly wooded road to the right, small figures and a 
mounted figure. In the foreground is a man angling. 


Height, 12% inches; length, 17% inches 


[See illustration | 


FLORENTINE SCHOOL 


XV CENTURY 


47. HISTORICAL SCENE 


In the foreground, the armored Captain of the Guard with his sol- 
diery is seen arresting the venerable bearded man, by whom stands 


another figure in a brilliant crimson garment. Austere architec- 
tural background. 


Height, 19 inches; width, 9 inches 


GIOVANNI MIGLIARA 
ITALIAN: 1785—1837 


45. LANDSCAPE WITH FIGURES 


At the left, a mediaeval castle banking a watercourse spanned by 
a bridge. In the foreground a dismantled sailing boat with figures, 
caught by the rich red rays of a setting sun. 


Height, 121% inches; length, 17% inches 


[See illustration | 


INFITOINW INNFAOID ‘48 
STUNOIA HLIM AdVOSANV'I ‘8? “ON 


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GIOVANNI MIGLIARA 
ITALIAN: 1785—1837 


49. LANDSCAPE WITH FIGURES 


In the middle distance a fortified chateau, with an arched bridge 
under which two figures are passing. In the foreground peasants, 


and at the lower left deep blue water. Before a receding landscape 
background. 


Height, 14% inches; length, 18 inches 


GIOVANNI MIGLIARA 
ITALIAN: 1785—1837 


50. LANDSCAPE WITH FIGURES 


A rambling fortified chateau, with a tinted russet-brown mound 
leading to the stream in the foreground, by which are peasant fig- 
ures. At the left, a towering beech tree. Before a rose-tinted 
blue sky. 


Height, 14% inches; length, 18 inches 


GIOVANNI DI PIETRO {LO SPAGNA] 


UMBRIAN: ACTIVE 1500—1528 


51. MADONNA 


Bust-length figure of the Madonna, with head slightly inclined to 
the right, wearing an ethereal veiling, hooded blue mantle and 
crimson tunic. Finely modeled head of noble serenity, displaying 
a distinctly Peruginesque sentiment. 


Panel: Height, 11% inches; width, 9 inches 


ITALTAN SGEOGE 
XVIII CENTURY 


52. PORTRAIT OF A NOBLEMAN 


Bust-length bewigged figure looking toward the spectator wearing 
a white jabot and dark jacket. Before a background of deep red 
drapery disclosing at the right a vista of landscape. 


Height, 24 inches; width, 20% inches 


FRANCESCO LONDONIO 


ITALIAN: 1723—1783 


53. LANDSCAPE WITH CATTLE 


Mountainous landscape with cattle and sheep grouped in the fore- 
ground. At the left a silver birch with the seated figure of a 
shepherd. Cloudy sky background. 


Height, 23% inches; length, 29 inches 


GIOVANNI BATTISTA MORONI 


[ATTRIBUTED TO] 
BRESCIAN: 1520—1578 


44. PORTRAIT OF A MAN 


Bust-length figure of an elderly bearded man looking to the ob- 
server, wearing a black biretta and jacket. Dark background. 


Inscribed: MDLXX AETATIS SVE LXx. 


Panel: Height, 24 inches; width, 19 inches 


FEDERICO FIORI {BAROCCIO] 


[ ATTRIBUTED TO] 


ITALIAN: 1528—1612 


55. MADONNA AND CHILD WITH ST. JOHN 


Half-length figure of the Virgin Mother robed in pale rose-crimson 
with blue hooded mantle, seated with her head inclined to the left, 
and holding the Infant Christ seated upon a white cushion on her 
lap. At the lower right corner is the infant St. John and above a 
vista of landscape. 


Height, 27 inches; width, 22 inches 


FRANCESCO LONDONIO 


ITALIAN: 1723—1783 


56. FARMYARD 


Naturalistic rendering of peasants resting by the thatched outhouse 
of farm buildings. At the left are recumbent sheep and goats, and 
to the right an overturned basket, utensils and vegetables. 


Height, 27 inches; length, 40% inches 


ITALIAN SCHOOL 
XVI CENTURY 


57. MADONNA AND CHILD 


Three-quarter length figure of the Virgin Mother, hooded and 
robed in a crimson tunic and voluminous blue mantle, holding the 
Infant Christ to her breast. Charming presentation of this subject, 
rendered with delicate gradations of light and shade by which the 
master has obtained a certain subtlety of modeling that is quite 
characteristic of Leonardo. 

Panel: Height, 18% inches; width, 14% inches 


BERNARDINO JACOBI BUTINONE 


ITALIAN: ACTIVE 1436—1507 


58. PREDELLA 


Paneled in five sections, each section exhibiting an episode of Our “WR. Aan 

Lord’s passion and death: From left to.right: [1] The Presentation me 

at the Temple; [II] Triumphal Entry into the City of Jerusalem; © “°° °*~ 

[III] Before Pilate; [IV] The Crucifixion; and. [V] The '4{74+ ( al 

Deposition. - i 
Panel: Height, 14% inches; length, 59% inches 


Note: Works of this Master, a fellow worker with Bernardo Venale, are ex- 
ceedingly rare. Influenced by Foppa. 


ENGL) REO 
[ JACOpO ROBUST! | 


VENETIAN: 1518—1594 


49. THE MIRACLE OF ST. MARK 

Two STUDIES: eS eta 

[A] Depicting St. Mark attending the plague-stricken people. 

[B] St. Mark during his second imprisonment at Rome with the 


Angel of Our Lord appearing to him. 
Vivid sketches in fine color against a dark background. 


Height, 15% inches; width, 37 inches 


GIOVANNI BATYTISTA’ TIRE @is 


VENETIAN: 1693—1770 


60. COMMUNION OF A SAINT 


A group of seven figures, with a kneeling saintly woman in the 
foreground in attitude of devotion, receiving communion. Archi- 
tectural background with vista of blue sky. 


Height, 35% inches; width, 23 inches 


[See illustration | 


No. 60. COMMUNION OF A SAINT 
By GIOVANNI BATTISTA TIEPOLO 


No. 61. PORTRAIT OF A NOBLEMAN 
By LINTORET TO 


ENE ORE Th@© 


[Jacopo Rosustt] 
VENETIAN: 1518—1594 


61. PORTRAIT OF A NOBLEMAN 


Bust-length bearded figure with pronounced features, facing the 


observer and wearing an embroidered wine-crimson cloak trimmed 
with ermine. Dark background. Finely modeled, powerful por- 
trait, rendered with ‘Tintoretto’s characteristic use of light and 
shade and luminous color composition. | 


Height, 25% inches; width, 20 inches 


[See illustration | 


+=) 


MARIOTTO ALBERTINELLI G) 


FLORENTINE: 1467—1512 


62. THE HOLY FAMILY 


Three-quarter-length standing figure of the Holy Mother, hooded 
and robed in crimson and greenish-blue, her head inclined toward the 
Divine Infant, Whom she holds in her arms; at left, the bearded 
figure of St. Joseph. Paneled background with prospects at right 
and left of mountainous landscape. 


Height, 31 inches; width, 25% inches 


TORO Dyan A NEL. 
MARIOTTO ALBERTI 


62 


‘No. 
By 


NELII 


No. 63. PORTRAIT OF A LADY, WITH YOUTH AND CUPIDON 
By PAOLO VERONESE 


; 


PAOLO VERONESE 


ITALIAN: 1528—1588 


603. PORTRAIT OF A LADY, WITH YOUTH AND 
CUPIDON 


Three-quarter length seated figure of a lady in bejeweled décol- 
letage, with the figure of an armored youth standing at her side 
with his hand to her breast, before a background of massed foliage. 
At the left lower corner is a winged cupidon with his arm extended 
and holding an arrow. 

Height, 35 inches; width, 34% inches 


[See illustration ] 


FLORENTINE SCHOOL 


XV CENTURY 


64. MADONNA AND CHILD, WITH.SAINTS 


Full-length figure of the Holy Virgin, hooded and robed in crimson 
and blue, enthroned with the fully draped Infant Christ seated 
upon her lap, before a gold-embroidered drapery supported by two 
seraphim. Standing at either side of the Madonna are St. Jacopo 
and St. Elena, voluminously draped and holding their attributes. 
Each figure is haloed. In original state and good preservation. 


Arched panel: Height, 42% inches; width, 21 inches 


[See illustration | 


No. 644. MADONNA AND CHILD, WITH SAINTS 
FLORENTINE SCHOOL 


No. 6s. MADONNA AND CHILD, WITH SAINTS 
By BICCI DI LORENZO 


I BICCI DI LORENZO 


br. W. R. Heaypt- 
FLORENTINE: 1373—1452 


4@ CV nrton a) Fra 
( H 


65. MADONNNA AND CHILD, WITH SAINTS 


Full-length enthroned figure of the Holy Virgin wearing a shaded 
crimson tunic and blue hooded mantle, holding in her left arm the 
semi-draped Child Christ. At the left is the erect figure of St. 
John, and at the right St. Francis de Paule holding a staff and a 
missal. Each figure is haloed. Gold background. 


) ; 
ac | edd Mena ‘ Height, 281% inches; width, 16 inches 


[See illustration | 


CANALETTO 
{ANTONIO CANALE | 
VENETIAN: 1697—1768 


66. VENETIAN FESTIVAL 


The Grand Canal, with the facades of the various buildings ani- 
mated with figures. In the foreground, the massed state barges 
fantastically portrayed with mythological divinities, the sea god 
Neptune, Vulcan and sirens. Before a vast expanse of blue sky 
brilliantly lighted. 


Height, 4034 inches; length, 65 inches 


[See illustration | 


OLLITVNVO *€ 
TIVALLSAAS NV LLANAAS 998 BN 


No. 67. THE SHEPHERD 
VENETIAN SCHOOL 


- 
c>- 


VENETIAN SCHOOL 


XV CENTURY 


67. THE SHEPHERD 


Diy -Yuv é 


Before the tangled branches of an oak tree, a half-length laureated 
figure, with curled hair and the Poniiance of a beard, wearing a 
blue sleeveless jacket over an ivory-tinted garment and holding a 
pastoral staff over his right shoulder. At the left, an architectural 
landscape and grazing sheep. ‘This unidentified work is extremely 
interesting and reveals the technique of a close follower of 
Giorgione. 

Panel: Height, 25% inches; width, 2114 inches 


[See illustration] 

Pier é p op 
[A 1) Z| Xe An rho RAAAA Jed , Mus a ad ~ 
til vice A wae Mer pes no) | oe 


Rats SS SAY Bes Roa 
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eat SES 
VU = 
cant 


ITALIAN SCHOOL 


XV CENTURY 


68. MADONNA AND CHILD 


Full-length figure of the Virgin Mother wearing a blue-black richly 
embroidered hood and robe with pale crimson tunic, seated, and 
holding the standing form of the Infant Christ wearing the coral 
charm; both figures haloed. Flanked by foliage; semi-circular gold 


background. ~ 
Panel: Height, 2314 inches; width, 1234 inches 


[See illustration] 


/\ 
( Al Vay) 9) v, 


a eee: bl 3 bees fk \ U aS BE bs zA LA Cae. 


No. 68. MADONNA AND CHILD 
ITALIAN SCHOOL 


No. 69. MADONNA AND CHILD 
By GIOVANNI FRANCESCO MORONE 


“GIOVANNI FRANCESCO MORONE 


ITALIAN: 1473—1529 


69. MADONNA AND CHILD 


Half-length figure of the Virgin Mother, hooded and robed in 
crimson and blue, holding in her left hand an open missal. Her 
head is inclined toward the nude figure of the Divine Infant stand- 
ing at her side holding an olive branch in His left hand, His right 
in the attitude of blessing. 

Height, 33% inches; width, 21 inches 


Note: This fresco has been transferred to canvas. 


From the Simonetti Collection, Rome 


[See illustration ] 


zW-R. Heart. 


” 


(6) 


SCHOOL OF PISA 
XIV CENTURY 


70. ENTHRONED MADONNA, CHIED AND SAINTS 


Full-length figure of the Holy Mother, crowned as Queen of 
Heaven, wearing a draped robe appearing almost black, and hold- 
ing in her arms the semi-draped Infant Savior, primitively portrayed. 
in the attitude of benediction and wearing the coral charm. Flank- 
ing the Divine Presence are Saints John the Baptist,. Mark and 
Francis, and Saints Luccia,. Margaret and Catherine. .In the fore-. 
ground are kneeling angels playing an organ and a flute. In gilded. 


tabernacolo. | 
' Panel: Height, 50 inches; width, 22% inches 


[See illustration | 


FLORENTINE SCHOOL 


Br. WR. teak - XV CENTURY 


ot. ir Wr tor | la At 


(5 


71. MADONNA AND CHILD 


Full-length figure of the Virgin Mother in crimson and blue, 
holding the nude form of the Divine Infant partly draped by an 
ethereal veiling and in the attitude of benediction, holding a bird. 
Both figures are haloed in relief. Gold background. 


Panel: Height, 41% inches; width, 21% inches 


70. ENTHRONED MADONNA AND CHILD AND SAINTS 
SCHOOL OF. PISA 


nN 


LOMBARDIAN SCHOOL 


XV CENTURY 


72. ENTHRONED MADONNA AND CHILD 


An elaborate rendering of the enthroned Madonna, wearing a “),, 
hooded blue robe over a bejeweled gold-embroidered tunic depicted Bi Q. ere 5) 
in slight relief; with the nude Infant Christ seated upon her lap, (pees: 
wearing the coral charm. At either side of the throne are adoring ““°‘"~. 
i477 (Ge) 


seraphim. 
Panel: Height, 48 inches; width, 23% inches 


FIORENZO DI LORENZO 


UMBRIAN: XV CENTURY 


73, ST. SEBASTIAN 


Full-length figure of the martyred saint bound to a post, nude save 
for a loin-cloth, and pierced by arrows. Crimson background with 
tile-like patterning. 


Fresco on panel: Height, 5 feet 101% inches; width, 2 feet 1 inch 


[END OF FIRST SESSION] 


SECOND AND LAST SESSION 


Wednesday, November 23, 1927 at 8:30 O'clock 
Catalogue Numbers 74 to 145 Inclusive 


GIOVANNI DI PAOLO 


SIENESE: ACTIVE 1423—1481 


pe PEE VISITATION 


Four holy figures grouped in the foreground before a renaissance 
portico. Blue sky background. 


Panel: Height, 634 inches; width, 834 inches 


LOMBARDIAN SCHOOL 
XIV CENTURY 


75. THE ANNUNCIATION 


The Angel Gabriel appearing to Our Lady, voluminously robed in 
crimson and black, kneeling with her left hand about the colonette 
of an arcaded temple. At the upper left corner is God the Father 
appearing with the Infant Christ. 


Panel: Height, 9% inches; width, 8% inches 


VERONESE SCHOOL 
XIV-XV CENTURY 


70. MADONNA AND CHILD 


Full-length figure of the Virgin Mother kneeling beneath a barn- 
like structure in adoration before the Child Christ. At right is seated 
the bearded St. Joseph in crimson robes. In the background an angel 


appearing to the shepherds. 
Panel: Height, 11% inches; width, 8 inches 


VERONESE SCHOOL 
XIV-XV CENTURY 


77. ADORATION OF THE MAGI 


Full-length seated figure of the Virgin Mother holding upon her 
knee the semi-draped Child Christ in the attitude of blessing the 
kneeling regal figure in the foreground. At the left are erect royal 
figures; in the background St. Joseph and a barnlike structure. 


Panel: Height, 9% inches; width, 634 inches 


NORTH ITALIAN SGH@Gy 


XV CENTURY 


75. LEGEND OF CORNELIA 


In the foreground are two erect female figures, one at the left holding 
a casket of jewels, with an attendant, the other at the right with her 
two children. Symbolizing relativity of precious possessions. In 


landscape setting. 
Panel: Height, 9% inches; length, 17 inches 


TUSCAN SCHOOL 
XIV CENTURY 


79. MADONNA AND CHILD 


Three-quarter length seated figure of the Virgin Mother, wearing a 
rose-crimson girdled tunic and deep blue hooded mantle enriched 
at the shoulders with gold embroidery; holding the fully draped 
Infant Christ nursing at her breast. Both figures are haloed. Be- 
fore a gold background. 

Height, 14% inches; width, 10 inches 


ITALIAN SCHOOL 
XVIII CENTURY 


60. THE SHEPHERDESS 


Study depicting a shepherdess seated in the foreground upon a 
boulder, wearing a tinted ivory shawl and brown dress. At the 
right are recumbent sheep; at the left a sleeping shepherd. Vague 
wooded background. 

Height, 16 inches; length, 22% inches 


UMBRIAN SCHOOL 


HARLY 2XcV CENTURY 


67. THE CRUCIFIXION 


Arched panel, with portrayal of Our Lord, nude save for a loin- 
cloth, upon the cross. On either side are the erect figures of the 
Virgin Mother and St. John; and angels with chalices catching the 
precious blood. Gold background. The top of the cross bears a 
sacred inscription. 

Panel: Height, 1614 inches; width, 11 inches 


; r CO > 
(6 ac ch * 


JACOPO PONTORMO & 


FLORENTINE SCHOOL: 1494—1557 


$82. JUDGMENT OF A MARIYR 


A fine and graceful composition within a colonnaded interior, de- 
picting the saintly martyr, with the executioner behind him, standing 
before his accusers, who are grouped by the columns. At the right, 
upon prancing chargers, are galeated Roman soldiery armed with 
halberds and partisans. 

; Panel: Height, 9 inches; length, 13% inches 


[See illustration | 


GENTILE DI NICCOLO DA FABRIANO 


ITALIAN: 1360—1440? 


83. TWO SAINTS 


At the left, the aged figure of St. Antonio Abati in dark robes, hold- 
ing a staff; at the right, St. Francis of Assisi in the habit of his order, 
holding a missal. In the foreground a kneeling saintly nun. The 
figure of Jehovah appears in the firmament in the attitude of bene- 
diction. Gold background. 

Panel: Height, 16 inches; width, 1134 inches 


DUTGH SCHOO: 
XVI CENTURY 


$4. RORTRAII-OF lai 


Half-length figure with the head turned slightly to the left, but look- 
ing to the observer, wearing a French lace and linen hood, collarette 
and black jacket. In her left hand she holds a chain. Finely modeled 
head. 

Panel: Height, 18 inches; width, 13 inches 


OWYOLNOd OdOOFL *¢ 
YALUVN V AO LNAWOaaAL °z8 oN 


MICHELANGELO ANSELMI 
[ MICHELANGELO DA LUCCA] 


PARMA: 149I—1554 


85. THE HOLY FAMILY 


Half-length figure of the Virgin Mother seated in profile to the left, 
with banded gold-brown hair and wearing old-rose and gold dra- 
peries, holding upon her lap the beautifully modeled form of the 
Child Christ with a cross in His right hand. At the left is the kneel- 
ing bearded St. Joseph. A prospect of landscape at upper left. 


Height, 30% inches; width, 24% inches 


FERRARESE SCHOOL 
XV CENTURY 


60. TWO SAINTS 


Displaying within renaissance niches, at the left St. Gregory and at 
the right St. Agnes. At the base a monk in prayerful attitude. 
Inscribed at the top: AVE GRATIA PLENA DNS TECUM 


Panel: Height, 23 inches; width, 13% inches 


BERNARDINO DI: MARIOT FO 


UMBRIAN: ACTIVE 1497—1527 


67. MADONNA AND CHILD WITH ST. JOHN Ric, W 


AND ANGELS 


Three-quarter length seated figure of the Virgin Mother hooded and 
robed in pale crimson and dark blue, with her head inclined towards 
the nude Infant Christ standing upon her lap. In her left hand she 
holds a crimson-bound missal. Kneeling at her side is the infant 
St. John holding a cross with depending banderolle. On either side 
are the heads and shoulders of angels. Background of blue sky. 


Panel: Height, 28 inches; width, 22% inches 


Ry (ae Heal = 


CIA yrrenwr 


44 (2g) 


VENETIAN SCHOOL 
XVII CENTURY 


88. PORTRAIT OF A BOY 


Three-quarter-length figure of a curly brown-haired boy with large 
blue eyes looking slightly to the right, with his right hand resting 
upon the hilt of a rapier, wearing a striped ivory costume with rose- 
crimson sleeves and lace ruffs, and a deep lace collar. Dark back- 
ground draped with a crimson hanging. 


Height, 26 inches; width, 2034 inches 


RODOLFO DEL GHIRLANDAIO 


ITALIAN: 1483—1561 


$69. MADONNA AND CHILD WITH ST. JOHN 


Three-quarter-length figure of the Virgin Mother wearing an auber- 
gine tunic partly covered by a draped blue mantle, seated within an 
interior, with the nude form of the Infant Christ upon her lap in the 
attitude of benediction. At left appear the head and shoulders of 
the youthful St. John, and above, through the aperture, a minutely 
executed landscape animated with small figures under a blue sky. 


Panel: Height, 29 inches; width, 22 inches 


MACRINO D’ALBA 


ITALIAN: 1460—1520 


90. IWO LEARNED SAINTS 


Two erect tonsured and haloed Benedictine monks holding missals 
and croziers, standing before a gold-enriched background patterned 
with a close renaissance design. 


Panel: Height, 30% inches; width, 19% inches 


IL SASSAFERRATO 


[GIOVANNI BATTISTA SALVI] 


ITALIAN: 1605—? 


meet ils NATIVITY 


In the foreground the figure of the Virgin Mother robed in crimson 
and blue, kneeling in adoration before the Child Christ lying upon a 
white drapery. At the right the seated figure of St. Joseph and at 
the left the shepherds. Above are three rejoicing angels holding 
a banderolle inscribed: GLORIA IN EXCELSIS DEO ET IN TERRA PAX. 
Faintly discernible in the background the ox and the ass. 


Height, 30 inches; width, 25 inches 


FOLLOWER OF CARLO CRIVELLI 


FIRST HALF OF XV CENTURY 


G2. 4) SAINT Tabi Ss Oils 


Standing figure wearing a bishop’s mitre, richly gold-embroidered 
cope fastened by a morse, and holding a crozier and two missals. 


Before a gold background. 
Panel: Height, 34 inches; width, 15 inches 


SIENESE SCHOOL 


EARLY XV’ CENTURY 


bY. W.@ .Keank ° 


474 (4) 


93. MADONNA AND CHILD, WITH ANGELS 


Naive depiction of the Virgin Mother, hooded and robed in crimson 
and blue, with the fully draped Infant Christ standing by her side. 
On ee side are adoring angels in the bloom of adolescence, robed 


in golden draperies. 
Arched panel: Height, 25 inches; width, 18 inches 


ROELOF DE VRIES 


DUTCH: FLOURISHED 1643—1669 


94. LANDSCAPE WITH FIGURES 


Centring the composition is a church and a gabled farm building 
having at the left an avenue flanked by majestic trees in autumnal 
leafage. At the right a peaked roof cottage by which are conversing 
male figures. In the foreground the felled trunk of a tree. Before 
a greenish blue sky background massed with nebulous clouds. 


Signed at lower left, R. D. VRIES 
Panel: Height, 24 inches; length, 33% inches 


ITALIAN SCHOOL 


SECOND HALF OF THE XVII CENTURY 


905. PORTRAIT OF A POPE 


Half-length figure facing the observer, wearing the papal cap and 
rich crimson ermine-trimmed robes with pale blue. Before a dark 
background. 


Height, 28% inches; width, 22 inches 


ANTONIO VIVARINI 


MURANESE: XV CENTURY 


Poe AINITLY BISHOP 


Erect bearded figure holding a crozier and missal, wearing a mitre 
and richly embroidered cope lined with rose-crimson and fastened 
by amorse. ‘The figure is haloed. Gold background. 


Height, 42% inches; width, 12% inches 


BALDASSARE PERUZZI 


[IN THE MANNER OF | 


SIENESE: 148I—1537 


07. THE LEGEND OF TRAIANO 


In a Roman architectural landscape setting are massed Roman sol- 
diers, mounted and dismounted, with pole arms and scarlet banners. 
In the foreground, mounted on a brown charger, is the Emperor 
Traiano, from whom the hooded and robed woman is supplicating 
justice for her son. Mountainous background in a blue haze. 


Panel: Height, 271% inches; length, 511% inches 


FLORENTINE SCHOOL 
XIV CENTURY 


gS. EPISODES FROM THE HISTORY OF ST. URBANO 
FRAGMENTS: | 


[A] A seated judge wearing ermine-trimmed robes; at right a hel- 
meted soldier carrying a mace. Gold background. 
[B] Group of helmeted soldiers with maces and swords. 


Panels: Each, height, 12 inches; width, 8 inches 


[See illustrations | 


URBANO 


EPISODES FROM THE HISTORY OF ST. 


. 98 


No 


FLORENTINE SCHOOL 


No. 99. GROUP OF FEMALE SAINTS IN ADORATION 
By BARTOLO DI FREDI 


BARTOLO DI FREDI 


ITALIAN: 1330—1I4I10 


99. GROUP OF FEMALE SAINTS IN ADORATION 


Two Saints and five Virgin Martyrs kneeling in various attitudes of 
adoration; each figure is haloed. Finely rendered before a gold 
background. 

Panel: Height, 12 inches; width, 934 inches 


[See illustration | 


BARTHOLOMAUS BRUYN 


[ ATTRIBUTED TO] 


GERMAN: D. 1556 


100; PORTRALTT OF aA LaApDy, 


Arched panel, exhibiting a three-quarter length standing figure, with 
characteristic headdress partly covering the braided hair and wear- 
ing a brown and black belted dress with high white linen collarette. 
In her right hand she holds a flower. Deep green background. 


Panel: Height, 16 inches; width, 13 inches 


[See illustration | 


No. 100. PORTRAIT a LADY 
} Attributed to BARTHOLOMAUS BRUYN 


No. 101. MADONNA AND CHILD 
By ANDREA DA.BOLOGNA 


ANDREA DA BOLOGNA 


ITALIAN: XIJI—XIV CENTURY 


Tol. MADONNA AND CHILD 


Full-length seated figure of the Holy Mother, wearing a shaded 
crimson tunic and a voluminous flowered blue mantle, holding the 
partially draped Infant Christ at her breast; the gold background 


forming a luminous nebula. 
Panel: Height, 11% inches; width, 10 inches 


[See illustration | 


SCHOOL OF ANDREA MANTEGNA 


VENETIAN: EARLY XVI CENTURY 


To2. THE RESURRECTION 


The erect figure of Our Lord, classically draped in a flowing white 
robe and holding the sacred pennon, standing at the open sepulchre 
in which is depicted a host of cherubim and seraphim. At the foot 
of the tomb are the sleeping armored soldiery. Ina primitive land- 
scape setting, with vistas of blue water, under a cloudy sky. 


Panel: Height, 9% inches; length, 16% inches 


Note: A superbly executed realistic work. 


[See illustration | 


PNOZLNEFW PHAANF f° 199499 
NOLLOAUYMUNSAYM AHL “201 “ON 


No. 103. PORTRAIT: OF A. LADY WRITING 
By the MASTER OF THE HALF-LENGTH FIGURE 


meoek OF THRE HALF-LENGEFH FIGURE 
FLEMISH: XV-XVI CENTURY 3 


Reece Oni RAT OF A LADY WRITING 


An interior with the light filtering through the latticed window, 
subtly detaching into relief the female figure, richly gowned and 
wearing a severe headdress, who is seated writing at the table, upon 
which are placed various paraphernalia and a repoussé gilded silver 
coupe. 

| Height, 21 inches; width, 16 inches 


[See illustration | 


SCHOOL OF: GIOVANNI BELLINI 


ITALIAN: EARLY XVI>CENTURY 


Io4. THE ENTHRONED MADONNA AND CHILD 


Three-quarter-length figure of the Virgin Mother enthroned with 
the nude Infant Christ standing upon her lap. She wears a white 
linen veiling, over rich crimson and blue draperies. Before a pan- 
eled green background with vistas of landscape. 


Panel: Height, 18 inches; width, 14 inches 


[See illustration | 


He 
4 
i 


No. 104. THE ENTHRONED MADONNA AND CHILD 
School of GIOVANNI BELLINI 


TADONNA AND CHILD 


By ANTONELLO DA SALIBA 


No. 105. 


Ow 


ANTONELLO DA SALIBA 


SICILIAN: EARLY PART OF XVI CENTURY 

Br. WG. Heaile - 

INA ar. 

105. MADONNA AND CHILD GO ene '434(24 
Three-quarter-length figure of the Virgin Mother facing shghtly 
toward the right, wearing a deep red tunic and a voluminous blue 
mantle lined with olive-green, holding upon her lap the seated draped 
figure of the Infant Christ, who plays with a bird held in his hand. 
Background of receding landscape under a deep blue sky. Both 


figures are haloed. 
Panel: Height, 24 inches; width, 18 inches 


[See illustration ] 


am \ ae, a= 
Pn ay Arann x Tho Betis 


GIOVANNI BATTISTA DA CONEGLIANO 
[Called CIMA] 


ITALIAN: ACTIVE 1489—1517 


100. LRIPLY GH 


Depicting in the central panel the adoration of the Child Christ 
with the Blessed Virgin kneeling at the right, the Donor and a clas- 
sically draped angelic figure at the left. In the middle distance the 
ox and the ass. Before a landscape background. ‘The wings of the 
triptych exhibit within oval medallions St. John and St. Paul, and 
within circular medallions, winged cherubim heads. 


Height, 23 inches; length extended, 23% inches 
Note: A fine early work of this master. 


[See illustration | 


No.-2106 1 RIP LY CH 
By GIOVANNI BATTISTA DA CONEGLIANO 


No. 107. PORTRAIT OF A GENTLEMAN 


NNI BATTISTA MORONI 


By GIOVA 


GIOVANNI BATTISTA MORONI 


BRESCIAN: 1520—1578 


I07. PORTRAIT OF A GENTLEMAN 


Bust-length figure looking to the observer, of a bearded man wearing 
a black hat, white ruff, and over an old-gold tunic a fur-trimmed blue 
mantle. Neutral background. 
Height, 23 inches; width, 20% inches 
Note: An important work of great individuality. The sitter was beyond doubt a 


member of the Scott. family cf Bergamo, from whence the picture was acquired by 
Signor Chiesa. 


[See illustration | 


FRENCH SGHOOL- 


XV CENTURY 


108. THREE HOLY WOMEN 


Three erect female figures, richly robed and wearing characteristic 
French headdresses, in devotional attitude before a crucifix. Por- 
trayed in a transitional Gothic to Renaissance draped interior. Fine 
rendering of textures. 

Panel: Height, 22 inches; width, 11% inches 


[See illustration | 


No, 108. THREE HOLY WOMEN 


FRENCH SCHOOL 


No. 109. THE MIRACLE OF ST. DOMENICO 
By JACOPO BELLINI 


JACOPO BELLINI 


VENETIAN: 1400—1464 [ ?] 


Togo. THE MIRACLE OF ST. DOMENICO 


Interior of a woodcutter’s workshop, with the kneeling Saint por- 
trayed in the act of performing the miracle of healing the woodcut- 
ter’s leg. At the right are two erect female figures in mediaeval 
costume and the figure of a Dominican nun. 


Panel: Height, 21 inches; width, 13 inches 


Note: This important work, in an excellent state of preservation, was catalogued 
by the Italian Government as of great artistic importance. 


[See illustration | 


aa 


4 
LAWN Ce Co AU TAMCL WW 


—PIEFRO-LORENZET HE 


SIENESE: ACTIVE 1306—1348 


rio. THE CRUCIFIXION 


Superb small work of this rare master, portraying the Crucifixion 
of Our Lord, with the figures of St. John in a girdled tunic and St. 
Mary Magdalene with gold hair flowing over a rich crimson robe 
at the foot of the Cross. Above the Cross are cherubim flanking the 
sacred inscription, and a half-length figure of God the Son; at the 
base of the panel a prophet, The background is of gold, enriched 
at the edges with a simple design in bulino work. 


Panel: Height, 23% inches; width, 1034 inches 


[See illustration | 


N 


THE CRUCIFIXIO 


No. IIo. 


NZETTI 


By PIETROCLOKE 


No. 111. MADONNA AND CHILD, WITH SAINTS 
By MATTEO DI GIOVANNI 


MATTEO DI- GIOVANNI Oe 


SA 


SIENESE: 1435—1495 


111. MADONNA AND CHILD, WITH SAINTS (Br. W. 2, Heal . 


An arched panel, with superb portrayal of the seated Virgin Mother Se noe 
robed in the traditional colors of crimson and blue. At the left 1s (AF (22) 
the standing figure of St. John, holding a banderolle inscribed: 

ECCE AGNUS DEI; at the right the head of St. Jerome. The gold 

background enriched with minute bulino work. 


Panel: Height, 23% inches; width, 16 inches 


[See illustration ] 


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LT ela 


XV CENTURY 


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EXTERIOR 


School of COLOGNE 


No wLi gue Paley CH 


No. 113. TWO SAINTS 
By BICCI DI LORENZO 


BICCI DI LORENZO 


ITALIAN: 1373—1452 


ioe DIO: SAINTS 


Two erect saintly figures: at right, St. Bartholomew in a gold-em- 
broidered blue-green robe; and at left, a Virgin Martyr hooded and 
robed in crimson and blue, holding a missal. Before a gold back- 
ground. Both figures are haloed. 


Panel: Height, 25 inches; width, 12 inches 


[See illustration ] 


PIERO BUONACCORSI 
[ PIERIN DEL VAGA | 


UMBRIAN SCHOOL: 1500—1547 


Ii4. THE HOLY FAMILY 


Kneeling figure of the Virgin Mother in rich shaded rose-crimson 
tunic and blue mantle, tenderly embracing the nestling standing 
figure of the Child Christ, Who is portrayed poised and bearing 
His weight upon the right leg, in a shaded rendering of flesh tints. 
At the left, in a golden-brown girdled smock and resting upon a 
staff, is the bearded St. Joseph. Before a bisected background. 


Panel: Height, 38% inches; width, 30% inches 


GERMAN SCHOOL 
XVI CENTURY 


175. THE MATHEMATICIAN 


Bust-length figure of an elderly intellectual man with reddish brown 
hair, facing the observer; wearing a round black hat and fur-trimmed 
jacket over a wine-crimson undergarment and linen collarette. In 
his right hand he holds a pair of compasses. 


Panel: Height, 2134 inches; width, 1734 inches 


[See illustration ] 


MATHEMATICIAN 


rr. -VilE 
GERMAN SCHOOL 


No 


ea OB 


No. 116. MADONNA AND CHILD 
FLORENTINE SCHOOL 


FLORENTINE SCHOOL 
SECOND HALF oF XV CENTURY Bw. R. Wee 


116. MADONNA AND CHILD SU Sime (424 (26 


Half-length figure of the hooded and elaborately robed Virgin 
Mother, holding in her right hand a flower. By her side is the stand- 
ing haloed Infant Christ, fully draped, and in the attitude of bene- 
diction, holding a scroll. Gold background. 


Panel: Height, 23 inches; width, 15% inches 


[See illustration | 


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[‘TIZIANO VECELLI | 


ITALIAN: 1477—1576 


117. PORTRAIT OF A WARRIOR 


Half-length bearded figure facing slightly to the right, wearing a 
black close-fitting jacket, resting his left hand on the hilt of a sword 
and the right on the helmet. At the top right-hand corner is the 
name of the personage the portrait represents, but unfortunately no 
longer legible, and the date MDXLV. 


Height, 37 inches; width, 29 inches 


Note: The picture is not in a very good state of preservation, but it has always 
been held to be the work of this master, and the date, 1545, refers precisely to the period 
in which Titian painted this style of portrait. 


[See illustration | 


No. 117. PORTRAIT OF A WARRIOR 
By TITIAN 


No. 118. ENTHRONED MADONNA AND CHILD 
By MAESTRO GUGHELMO 


MAESTRO GUGHELMO 


VENETIAN: XIV CENTURY BY. 
T71&.§ ENTHRONED MADONNA AND CHILD as 
A primitive portrayal of the full-length Virgin Mother, robed in 
flowing blue and crimson draperies and holding the fully draped 
Christ seated upon her lap. Before a brilliant crimson drapery up- 
held by two winged angels. 


Panel: Height, 35 inches; width, 20 inches 


[See illustration | 


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RoW, (L Cask : 


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aay OW 


FOLLOWER OF ALESSANDRO BOTTICELLI 


ITALIAN: XV. CENTURY 


I19. MADONNA AND. CHILD 


Three-quarter-length enthroned Madonna, the head gracefully in- 
clined to the left, with delicate transparent veiling and characteristic 
Florentine headdress, crimson and blue robes. At the left, seated 
by her side, is the nude Infant Savior, holding a pomegranate. 
Through the aperture at the upper left 1s a vista of peaked mountain- 
ous landscape. Very graceful and beautifully modeled work, pos- 


sessing great charm. 
Arched panel: Height, 3834 inches; width, 25% inches 


[See illustration | 


pa xe rvs tly i \ Ly 5. 2 Aw dabwano. 44 


NA AND CHILD 


ON 
By a follower of ALESSANDRO BOTTIC 


ELLI 


No. 120. THE ANNUNCIATION 
By a follower of RAPHAEL SANZIO s 


FOLLOWER OF RAPHAEL SANZIO 


ITALIAN: XV—X VI- CENTURY 


120. THE ANNUNCIATION 


04 “Gl ystloine ds 
Within a paneled renaissance interior spangled with golden stars, 
having at the left an embrasure through which 1s observed a superb 
small landscape animated with figures, and at the right a receding 
view of a vestibule with attendant holy women, is the devout and 
humble figure of the Blessed Virgin, robed in crimson and blue, 
kneeling before a prie-Dieu. At the left, rendered with poetic mo- 
tion, is the announcing angel in shaded blue draperies, holding a lily 
branch. Above is the bearded figure of God the Father, with a host 
of adoring cherubim and seraphim enveloped in gray-blue clouds, 
and the descending dove in a luminous aureole. 


UWAMAAN 


Li 
Signd at the lower right on the prie-Dieu with initials ReF-V-Ft. > ‘— 
Panel: Height, 24 inches; length, 31 inches 
Note: Beyond the expression of spirituality in this work, the ‘‘architectonics” of the 
composition are rendered with a grandeur true to the high renaissance, and mark this 
as the production of a close follower of Raphael. : 
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\-) FLORENTINE.SCHOOL 
X1TV=XV CENFURY 


121. MADONNA AND CHILD 


Full-length figure of the Virgin Mother with her head inclined to 
the right, holding the semi-draped form of the Infant Christ upon 
her lap; at the right in the firmament are glorifying cherubim and 
seraphim. ‘The figures are haloed, those of the Virgin and Child 
bear inscriptions. Gold background. 


Panel: Height, 35 neha width, 22 inches 


[See illustration ] 


yal Wu Shy! 


No. i121. MADONNA ANDs CHILD 
FLORENTINE SCHOOL 


No. 122. MADONNA AND CHILD 
School of AGNOLO GADDI 


SCHOOL OF AGNOLO GADDI 


FLORENTINE: XIV CENTURY Br. epartreeree 
Peet atDONNA AND CHILD CN Car ae le z2 


Three-quarter length standing figure of the Virgin Mary wearing (4) a Pew - 
a gold-embroidered crimson tunic and deep blue hooded mantle, “%.,-b ~ |’ 
holding in her arms the semi-draped Divine Infant holding a bird. ( | 

The haloes rendered in bulino work. Gold background. Bia 


Panel: Height, 39% inches; width, 24% inches 


[See illustration | 


JOSEPH DA CA’ BARBARI 


VENETIAN: XV CENTURY 


123. THE MERCHANT 


Half-length figure of a bearded man wearing a black hat and jacket, 
showing the edges of a white collarette, seated before a table counting 
gold and silver coins, a bowl of which he holds in his left hand. 
Before him is a statement of figures. Neutral background. 


Signed at upper left upon a scroll, JOSEPH DA CA’ BARBARI, and 
dated 1547 


Height, 29 inches; width, 28% inches 


[See illustration ] 


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No. 123. THE MERCHANT 
By JOSEPH DA Cd’ BARBARI 


No. 124. MADONNA AND CHILD 
By FRANCESCO DI GENTILE DA FABRIANO 


4 AVI ONTAD ‘i Waduovs : 
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—GEN-PHSE=DA-FABRIANO 


ITALIAN: XV CENTURY 


pipette (2 den): 


| ag aCe mcethe (44-4 (26) 
Half-length figure of the Virgin Mother hooded and robed, wearing 
a deep black mantle and holding in her arms the fully draped Child 


Christ. In the foreground a balustrading draped with a Moorish 
rug. Gold background. 


124. MADONNA AND CHILD 


Height, 26 inches; width, 16% inches 


[See illustration | 


oP clu b Mie Pee Las). obs 4 Is ee dt. O24 
( ee SD ) {eis bl Glad Cssa - 


TITIAN 


[‘TIZIANO VECELLI | 
[ ATTRIBUTED TO] 


VENETIAN: 1477—1576 


125. MADONNA AND CHILD WITH SAINTS 


Half-length figure of the Virgin Mother enthroned before a deep 
green hanging, wearing beautifully arranged draperies of deep red 
and greenish-blue, holding in her arms the semi-nude form of the 
Divine Infant, Who holds the apple of Redemption and leans toward 
the bearded figure of St. Peter. At the left is the profile figure of 
St. John. Landscape background. 

Panel: Height, 35 inches; length, 48 inches 


[See illustration | 


AARNE ROS CEL Ea 
SLNIVS HLIM GTIHO GNV VNNOGVIW ‘$21 ‘ON 


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By GIOVANNI ANTONIO BOLTR 


GIOVANNI ANTONIO BOLTRAFFIO 
MILANESE: 1467—1516 


120. MADONNA AND CHILD, ST. JOHN AND 
FIGURES 


Centring the composition is the kneeling figure of the Blessed Virgin 
robed in crimson and blue, the mantle lined with old-gold. In the 
foreground are the nude forms of the Divine Infant, seated, and the 
Infant St. John, kneeling. At right a crimson-draped angel, and at 
the left a profiile portrait of the Donor. The background of massed 
boulders, with prospect of mountainous scenery, under a pale blue 
sky. 


Panel: Height, 42% inches; width, 29 inches 
? 4 a ie eS 


( WAIL aw — ) a 4 22 Ae Ral s 


Note: In a fine state of preservation with original frame of the period. The 
portrait of the donor is especially noble in conception. 


[See illustration | 
f) M. Hur) ’ Nin Vian 


Is «a, BN hr¢fry ( c] 


i 


FRENCH SCHOOL 
XV—X VI CENTUORYS 


ec whan 127. THE PRESENTATION Al.THE. TEMPLE 
een (ard The interior of a Gothic church, with the hooded and robed Virgin 
vy. Dwr Mother presenting at the altar the nude Infant Savior to the vener- 


able crimson-robed priest. At the:left are the figures of St. Anne 
and St. Joseph holding a cage with two doves. Through the aperture 
at the right, in a primitive landscape, is.a depiction of the flight into 


Egypt. | | | 
| A ooo Panel: Height,,32 inches; width, 29% inches 
io dee ale Paes | 
OT od Car aah [See illustration ] 
Max | [CAN 1 ) | | 


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Womi27. LHE’ PRESENTATION AleLAn PEMPEE 
FRENCH SCHOOL 


No. 128. THE NATIVITY 
FRENCH SCHOOL 


FRENCH SCHOOL 
XV—XVI CENTURY 


moet at NATIVITY 


A vivid portrayal of the Virgin Mother, kneeling within a Roman- 
esque arcaded stable, wearing a crimson tunic and voluminous shaded 
blue mantle, upon the train of which is the nude Infant Savior. At 
the left, by the ox and the ass, are adoring angels, and at the right 
the figure of St. Joseph. In the background, in a primitive land- 
scape setting, an angel in the heavens announcing the glad tidings to 
the shepherds with their flocks. 

Panel: Height, 32 inches; width, 29% inches 


[See illustration ] 


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LORENZO COSTA 2 


ITALIAN: 1460—1535 


120. ST. SEBASLLIAN 


Life-size figure of the martyred saint, nude save for a crimson loin- 
cloth, bound to a pillar and pierced by arrows. Dark background. 
Finely modeled work. 

Panel: Height, 6 feet 2% inches; width, 2 feet 5% inches 


[See illustration ] 


No. 129. ST. SEBASTIAN 
By LORENZO COSTA 


No. 130. GLORY OF ANGELS 
By a follower of FRA ANGELICO 


FOLLOWER OF FRA ANGELICO 


TUSCAN: (XV CENTURY 


130. GLORY OF ANGELS 


Arched panel in two sections; with superbly rendered celestial hier- 
archy, their faces of perfect beauty and figures portrayed in the 
bloom of adolescence, classically robed in blues, reds and greens, 
their hands gracefully poised in rhythm to the fanfare of the golden 
trumpets. Each figure wears an aureole rendered in gold bulino 
work, before a gold background. Portrayed with charming felicity. 


Panel: Height, 42% inches; width, 2634 inches 


[See illustration | 


ADRIEN ISENBRANDT 


NETHERLANDS: ACTIVE 1510—I551 


197. AER TEIAGG EL 


The centre panel with depiction of various episodes in the life of 
Saint Jerome. In the foreground the Saint is kneeling beneath a 
tree in penitent attitude before the crucifix; at the left are the crim- 
son habiliments of his high office, and the lion. Portrayed in a re- 
ceding landscape setting. The left and right panels exhibit respec- 
tively St. Bernard of Clairvaux, and St. Anthony of Padua. 


Central panel: Height, 28 inches; width, 18% inches 
Side panels: Height, 28% inches; width of each, 9 inches 


Note: An early work of this interesting master presumed to have been painted 
before he had left the studio of Gerard David, who may have collaborated in the 
work; especially is this noticeable in the figures of the two Franciscan saints. 

~% 


[See illustration] *. 


Napa, Ed bee Lela 
By ADRIEN ISENBRANDT 


No. 132. A VENETIAN DOGE 
By, ENO Re 


TINTORETTO 


[ JACOPO ROBUSTT] 


VENETIAN: 1518—1594 


132. A VENETIAN DOGE 


Three-quarter-length bearded figure seated upon a Dantesque chair; 
turned slightly to the left but facing the observer, wearing a rich 
aubergine velvet robe trimmed with ermine, Before a dark back- 
ground. 

7 Height, 45 inches; width, 39 inches 


[See illustration | 


ALBERTINO. AND. MARTINO PIAZZA 


ITALIAN: 4 V---X-V. F- CENTURY 


Loo DRIER ERY Cr: 


The central panel exhibiting the enthroned St. Nicolas de Bari 
with his attributes and robed as a bishop in a rich gold- -embroidered 
cope. In the left panel, St. John the Baptist wearing the proverbial 
hair shirt partly draped by a crimson mantle, and a saintly bishop in 
gold-embroidered green cope. The right panel with depiction of 
St. Claire robed as a nun, holding a monstrance and a missal, and the 
richly draped re Rap bag wo NG Angel Tobias in a green 


tunic. 
Centre panel: Height, 54 inches; width, 24 inches 
Two end panels: Height, 54 inches; width, 19 inches 


Acquired from Mme. F. Delvecchio, veuve Counio, de Génes. 

Photografie Anderson No. 3488 

Reproduced in A. Venturi, “La Galleria Crespi,” etc., op. cit. pl., 
p. 278 

Cf. Arte [198], p. 83; A. Venturi, “La Galleria Crespi,” etc., op. 
cit., pp. 277 and following; Bryan, “Dictionary of Painters,” 
op. cit., t. IV, p. 111. ist. col. starting with the word Piazza 
[article signed: C. J. Foulkes|; B. Berenson, “North Italian 
Painters of the Renaissance,” op. cit., p. 281 


[See illustration | 


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No. 134. PORTRAIT OF A NOBLEMAN 
By GIOVANNI BATTISTA MORONI 


GIOVANNI BATTISTA MORONI 7 


BRESCIAN: 1520—1578 


134. PORTRAIT OF A NOBLEMAN 
[of the Colleont Family? | 


Three-quarter length bearded figure, standing turned to the right but 
looking to the observer; wearing a black doublet striped with crim- 
son, a white collarette, crimson breeches and a black surcoat; he holds 
a glove in his right hand and his left hand rests upon a book. Neutral 
background. 

Height, 43 inches; width, 33% inches 


[See illustration | 


NICCOLO SOGGI 


ar ale ee \4 teow” ° 
UMBRIAN: 1474—1554 


Stfi wer (474 (41°) 
135. STORY OF SAINT OLIVA 


A hilly landscape scene depicting in the foreground a mounted fal- 
coner with attendants and dogs. At the left before the monumental 
arch regal and saintly figures and a halberdier, and at the right a 
bearded apostle talking to St. Oliva with two children in her arms. 
In the middle distance are two martyrs being led away by soldiery. 
Cerulean-blue sky background. 

Height, 21% inches; length, 47 inches 


[Companion to the following] 


[See illustration ] 


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No. 136. STORY OF SAINT OLIVA 
By NICCOLO SOGGI 


NiGGOUOnsoGe! 
UMBRIAN: 1474—1554 br, Ui aaa ad 


Sanlaer ene a fiw] 
136. STORY OF SAINT OLIVA | 197 (4b 


A hilly landscape dotted with trees and saplings with depiction at 
the right of Saint Oliva bound to the tree and burning. At the right 
upon a raised dais, a regal figure with courtiers and at the left a 
pious woman kneeling before a female saint and two angels. In the 
foreground two nude children and several spectators. 

Height, 2114 inches; length, 47 inches 


[ Companion to the preceding | 
[See illustration | 


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FRANCISCO ZURBARAN 


[ATTRIBUTED TO] 
SPANISH: XVII CENTURY 


137. INTERIOR WITH FIGURES 


A shaded interior with figures grouped around a crimson covered 
table. At the right is a seated figure of a maiden richly robed in 
bright crimson with large white puffed sleeves, holding a child upon 
her lap. In the foreground at the left is a seated child, and at the 
right a dog. Flanking the arched doorway in the background are 
vistas of other interiors with figures. 


Height, 481% inches; width, 43% inches 


VENETIAN SCHOOL 


ee (hints cee XV CENTURY 


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138. DIPTY CH 


Doctors of the church, two of the four Latin Fathers. "Two Gothic 
arched panels, presenting at left the seated figure of St. Ambrose, 
wearing the Episcopal robes as Bishop of Milan [shaded white tunic 
with rich green cope], with mitre, and holding the model of a church 
and the knotted scourge; before a crimson background enriched with 
a close design of rosettes and arabesqued foliations; and in the right 
panel St. Gregory, in sacerdotal robes as Pope, and with the papal 
tiara, seated writing his missal, the dove portrayed at his right ear; 
before a black background similarly enriched in gold. 


Panel: Height, 59 inches; width, 54 inches 


[See illustration | 


A set pd 2 BSG Gs 
ENETIAN SCHOOL 


No 


No. 139. MADONNA AND CHILD WITH SAINTS 
TUSCAN SCHOOL 


TUSCAN SCHOOL 
XIV CENTURY 


139. MADONNA AND CHILD WITH SAINTS 


Full-length enthroned Madonna hooded and robed in crimson and 
blue, holding in her arms the semi-draped Child Christ, Who holds 
a pomegranate. Standing at the base of the throne are Saint Nicho- 
las of Myra and St. Verdiana with their emblems. 


Height, 43 inches; width, 21 inches 


[See illustration ] 


DOSSO DOSSI 
FERRARESE: 1479—1548 


P70; sd. JOHN 


Almost life-size figure of the bearded St. John wearing the hair 
shirt partly covered by a rich wine-crimson mantle, the head inclined 
to the right. His right foot is raised upon a stone and he holds in 
his arms the lamb and staff. Blue background. 


Panel: Height, 5 feet 3% inches; width, 1 foot 10 inches 


[Companion to the following] 


DOSSO DOSSI 
FARRARESE: 1479—1548 


IAly oO EAarAGL 


Almost life-size figure of the bearded St. Paul facing to the left, 
wearing a voluminous green tunic girdled at the waist, and deep 
crimson mantle. Blue background. 


Panel: Height, 5 feet 3% inches; width, 1 foot 10 inches 


[Companion to the preceding | 


ENG k n Noort Or en VENETIAN SCHOOL 


j Na 
hy ViIQARVA. 


XIV CENTURY 


142. POLYTYCH 


The lower central panel exhibits the full-length figure of the Virgin 
Mother clothed in the traditional crimson and blue robes, with the 
Infant Christ fully draped in a lighter crimson. Above is a depic- 
tion of the Crucifixion with St. John and the Madonna at the foot 
of the Cross; on either side are narrow panels with the Angel of the 


_ Annunciation and a further rendering of the Blessed Virgin. The 


flanking panels present twelve saintly figures, portrayed with the 
characteristic asceticism of this era; respectively, from left to right: 
top row, Saints Bartholomew, James, Peter, Ambrose, Paul and 
Jerome; lower row, Saints Catherine, Mark, John, Elena [?] and 
Anthony, and a Father of the Church. The backgrounds are of gold 
and each head is surrounded by the nimbus wrought in bulino work. 
An extremely rare polyptych of superb color, in an excellent state 
of preservation. 

Height, 6 feet 4 inches; length, 6 feet 5 inches 


[See illustration | 


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ENETIAN SCHOOL 


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XV CENTURY 
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143. DIPTYCH WM irene Ley (2) 


Two Gothic arched panels, presenting at left St. Jerome in the rich 
crimson robes of a cardinal holding a model of a church upon his 
left knee; gold enriched green -blue background. At right, St. 
Gregory, wearing a bishop’s mitre and cope, also holding a model of 
a church; similar background in crimson. 


Panel: Height, 58 inches; total width, 50 inches 


FLORENTINE SCHOOL 


XV CENTURY 


144. FRONT OF A CASSONE 


A marriage procession. Centring the architectural composition is a 
mitred bishop performing the ceremony of marriage; at the lett are 
the bride’s attendant maids and mounted figures, and at the right 
variously grouped and gorgeously arrayed personages. 


Panel: Height, 34% inches; length, 634 inches 


FLORENTINE SCHOOL 


XV CENTURY 


145. FRONT OF A CASSONE 


Probably an incident from Boccaccio. Displaying a group of bril- 
liantly robed personages in procession through an orchard. At the 
left three maidens are bestowing blessings upon three youthful male 


figures. 
Panel: Height, 13% inches; length, 53 inches 


[END OF SECOND AND LAST SESSION] 


INDEX OF ARTISTS AND THEIR WORKS 


ALBERTINELLI, Mariorro 
The Holy Family 


ANDREA DA BOLOGNA 
Madonna and Child 


ANSELMI, MICHELANGELO 
The Holy Family 


ANTONELLO DA SALIBA 
Madonna and Child 


PanlOLO DI FREDI 


Group of Female Saints in Adoration 


BELLINI, GIOVANNI [School of] 
The Enthroned Madonna and Child 


BELLINI, JAcoPro 
The Miracle of St. Domenico 


BERNARDINO DI MARIOTTO 
Madonna and Child with St. John and Angels 


BICCI DI LORENZO 
Madonna and Child, with Saints 
Two Saints 


BOLTRAFFIO, GIOVANNI ANTONIO 
Madonna and Child, St. John and Figures 


BOTTICELLI, ALESSANDRO [follower of] 
Madonna and Child 


BOUTS, Dirk [School of] 
Madonna and Child 


CATALOGUE 
NUMBER 


62 


Lomi 


85 


105 


29 


104 


109 


837 


65 
113 


126 


119 


33 


CATALOGUE 
‘ : NUMBER 
BRUYN, BarTHOLOMAUS [Attributed to] 
Portrait of a Lady 100 


BUONACCORSI, PIERO 
The Holy Family 114 


BUTINONE, BERNARDINO JACOBI 
Predelia 58 


CANALETTO [ANTONIO CANALE]| 
Venetian Festival 66 


COLOGNE [School of] 
Triptych : 112 


CORNEILLE DE LYON 
J. de Brissac, Maréchal de France 31 


* COSTA, LORENZO 


St. Sebastian | 129 


CRIVELLI, Caro [follower of | 
A Saintly Bishop 92 


DECKER, CORNELIS GERRITSZ 
The Inn ; 6 


DE HOOGH, PIETER [Attributed to] 
Interior with Figures 39 


DEL MAZO [Spanish school of] 


Portrait of as@ourtier AS 
DOSSO DOSSI (yo W495} 
St. John 140 


Steamoauk I4I 


ogee 
DOU, GERARD [School of] 
An Interior with Figure 4 


Peed SCHOOL 


Landscape with Figures and Cattle 7 

Portrait of a Lady 84 
ENGLISH SCHOOL 

Portrait of a Gentleman 21 

Portrait of a Child 22 
FERRARESE SCHOOL 

Two Saints 86 
FIORENZO DI LORENZO 

St. Sebastian aie 
FIORI, FEDERICO [BAROCCIO] [Z4iétributed to] 

Madonna and Child with St. John isis 
FLEMISH SCHOOL 

Madonna and Child with St. Domenico 2B 

Madonna and Child i 

Triptych 34 

Triptych 38 
FLORENTINE SCHOOL 

Historical Scene 47 

Madonna and Child with Saints 64 

Madonna and Child vii" 

Episode from the History of St. Urbano 98 

Madonna and Child 116 

Madonna and Child 121 

Front of a Cassone 144 

Front of a Cassone 145 


FRA ANGELICO [Follower of | 
Glory of Angels 130 


CATALOGUE 
NUMBER 


FRANCESCO DE GENTILE DAZPABRTANG 
Madonna and Child 124 


FRANCO-FLEMISH SCHOOL 
The Annunciation I 


PRON C Lies GEO 1s 


Portrait of a Lady 14 
POrtrateol ea mieady, 16 
Portrait of a Lady . Ty 
Portrait of a Nobleman 18 
Portrait of a Gentleman 19 
Three Holy Women 108 
The Presentation at the Temple 127 
The Nativity 128 


GADDI, AGNOLO [School of | 
Madonna and Child E22 


GENTILE DI NICCOLO DA FABRIANO 
Two Saints ; 83 


GERMAN SCHOOL 
Religious Allegory in 
The Mathematician Tie 


GHIRLANDAIO, RODOLFO DEL 
Madonna and Child with St. John 89 


GIOVANNI BATTISTA DA CONEGLIANO (°c, 
Triptych 106 


GIOVANNI DI PAOLO (w wy, 
The Visitation | 74. 


GIOVANNI DI PIETRO 
Madonna | oa 


IL SASSAFERRATO 
The Nativity 


ISENBRANDT, ApbrIENn 
Triptych 


PewerAN SCHOOL 


Portrait of a Nobleman 
Madonna and Child 
Madonna and Child 
The Shepherdess 
Portrait of a Pope 


JORDAENS, JAKoB 
Portrait of a Man 


JOSEPH DA CA’ BARBARI 
The Merchant 


KESSLER, FRANZ 
Portrait of Adolphus Munster 
Portrait of Maria Munster 


LAWRENCE, SIR THOMAS 
Marchesa Paola Castiglioni Litta 


LELY, SIR PETER 
Portrait of a Lady 


LOMBARDIAN SCHOOL 
Enthroned Madonna and Child 
The Annunciation 


LONDONIO, FRANCESCO 
Landscape with Cattle 
Farmyard 


LORENZETTI, PIETRO 
The Crucifixion 


CATALOGUE 
NUMBER 


gi 


131 


52 
57 
68 


10) 
95 


32 


ae 


EILO 


CATALOGUE 
NUMBER 


MABUSE, JEAN GOssAERT [School of] 
Triptych 30 
King Henry VIII 2G 


MACRINO D’ALBA 
Two Learned Saints go 


MAESTRO GUGHELMO 
Enthroned Madonna and Child 118 


MAESTRO DI MALINES 
The Nativity 12 


MANTEGNA [School of Andrea| 
The Resurrection 102 


MASTER OF THE HALF-LENGTH FIGURE 
Portrait of a Lady Writing 103 


MATTEO DI GIOVANNI \) | 
Madonna and Child, with Saints | III 


MEYER, HENDRIK 
A Village Festival 29 


MIGLIARA, GIOVANNI 


Landscape 46 
Landscape with Figures 48 
Landscape with Figures 49 
Landscape with Figures 50 


MONNOYER, JEAN BAPTISTE 
Still Life AI 
Still Life 42 


MORONE, GIOVANNI FRANCESCO 
Madonna and Child 69 


CATALOGUE 


NUMBER 

MORONI, GIOVANNI Battista [Attributed to] 

oitrait of a Man 54 

Portrait of a Gentleman 107 

Portrait of a Nobleman 134 
Ponta ITALIAN SCHOOL 

Legend of Cornelia 78 
Peat UNIR, Joachim D. 

St. Francis in Prayer 3 
PERUZZI, BALDASSARE [Jn the Manner of] 

The Legend of Traiano 97 
PIAZZA, ALBERTINO AND MARTINO 

Triptych 133 
PISA [School of] 

Enthroned Madonna, Child and Saints 70 
PONTORMO, JAcopo 

Judgment of a Martyr $2 
RAOUX, JEAN 

The Lecture 40 
RAPHAEL SANZIO_ [Follower of] 

The Annunciation 120 
Rotor OF VRIES 

Landscape with Figures 94 
ROMNEY, GEORGE 

Portrait of a Lady 20 
SIENESE SCHOOL 

Madonna and Child, with Angels 93 


SOGGI, NICCOLO 
Story of Saint Oliva 
Story of Saint Oliva 


SPANISH SCHOOL 
A. Franciscan Friar 
Portrait of a Lady 


SUSTERMANN [School of] 
Portrait of a Nobleman 


TIEPOLO, GIOVANNI BATTISTA 


Communion of a Saint 


TINTORETTO [JAcopo RosustTI] 
ThemMitracle-of-st-avlark 
Portrait of a Noblenmn 
A Venetian Doge 


TITIAN [TIZIANO VECELLI] 


Portrait of@asvatrios 
Madonna and Child with Saints 


TOURNIERES, Rosert 
Le Regent et Mme des Rarabere 


TUSCAN SCHOOL 


Madonna and Child 
Madonna and Child with Saints 


UMBRIAN SCHOOL 
The Crucifixion 


VAN BLOEMEN, PIETER 
The Encampment 


VAN DER MEULEN, ADAM FRANS 
Battle Scene 


CATALOGUE 
NUMBER 


135 
136 


43 
44 


5. 


60 


VAN 


VAN 


VAN 


VAN 


VAN 


DER NEER, AERT 
Moonlit Scene 


DE VELDE, ADRIAEN 
Pastoral 


DER LEEUW, PIETER 
Landscape with Figure and Cattle 


DYCK, SIR ANTHONY 
Baron Wanderford [ ?] 


DYCK, SIR ANTHONY [Attributed to] 
Lady Charlemont 


VENETIAN SCHOOL 


The Shepherd 
Portrait of a Boy 
Diptych 
Polyptych 
Diptych 


VERONESE, PAOLO 


Portrait of a Lady, with Youth and Cupidon 


VERONESE SCHOOL 


Madonna and Child 
Adoration of the Magi 


VIVARINI, ANTONIO 


A Saintly Bishop 


ZURBARAN, FRANCISCO 


Interior with Figures 


CATALOGUE 
NUMBER 


D 


36 


26 


137 


Si 


AVE ERG SNALS ANS bass OPE OURS 
Pee) VS PATES” 6 STATE TAX 
INSURANCE & OTHER PURPOSES 
Seb AwOGUES OF PRIVATE 
CO EE CLO ns 


CTAB, _» 


7 Se eAmerican Art Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
The Association is prepared to supplement 
this appraisal work by making catalogues of pri- 
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estates, such catalogues to be modeled after the fine 
and intelligently produced sales catalogues of the 
eAssociation. GQ Upon request the ceAssociation 
will furnish the names of many trust and insurance 
companies, executors, administrators, trustees, 
attorneys and private individuals for whom the 
cAssociation has made appraisements which not 
only have been entirely satisfactory to them, 
but have been accepted by the United States 
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and others in interest. 


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